Minor Discourses: Aesthetics of the Everyday life in Traditional China

Xiaoqiao Ling (ed.)

  • PublishedMay, 2024
  • Binding平裝 / 23*17 / 452pages / 部分彩色 / 中文
  • Publisher國立臺灣大學出版中心
  • SeriesChinese Literary Studies Series 17
  • ISBN978-986-350-827-4
  • GPN1011300477
  • Price NT$690
  • Paper Books San Min Books / wunan / books.com.tw / National Books / iRead / eslite / TAAZE /

Drama, ritual, and food are "three major legs of ordinary Chinese life" (Idema and West, 2010). These three aspects provide important vantage points from which to examine the delicate layering and plasticity of established social mores and institutions. They also call attention to the ruses, tactics, fragmental yet fundamental inversions that open up a productive habitat in the everyday. By delving into minor modes of cultural production, this book focuses on the discursive, transient, and incoherent plurality of everyday life. "Minor" modes of literary productions—such as drama, fiction, songs, encyclopedia—form a productive symbiosis with belles lettres and the literary canon with infinite measures of resourcefulness. Captured in these texts, daily routines and ventures tap into fundamental human emotions and psyches to test the boundaries of human agency as well as the fluidity of human communities. Questions addressed in this volume include: How spontaneous choices in mundane settings mirror the clandestine and the invisible, such that the marginal becomes intertwined with the universal? How new networks of relations emerge out of contingency and complicity? What new perspectives may come to light when we situate traditional China in the larger context of the Sinitic cultural sphere, such as Japan and Korea? The cross-disciplinary conversations in this volume aim at calling attention to the everyday as an indispensable aspect of literati writing that unveils the contingent, transitory aesthetics of establishing the self in a diverse, open empire—a way of being in the world.

Xiaoqiao Ling
Associate Professor of Chinese, School of International Letters & Cultures, Arizona State University

Xiaojing Sun
Senior Lecturer, Department of Modern Languages and Literatures, Loyola Marymount University

Karin Myhre
Associate Professor of Chinese language and literature, Department of Comparative Literature and Intercultural Studies, University of Georgia

Wilt L. Idema
Professor of Chinese Literature, emeritus, Department of East Asian Languages and Civilizations, Harvard University

Zhaokun Xin
Lecturer (Assistant Professor), Chinese Studies, University of Manchester

Guo Yingde
Professor of Philology, College of Literature, Hebei University

Ayling Wang
Professor Emeritus, Department of Theater Arts, National Sun Yat-Sen University

Christian de Pee
Professor of History, University of Michigan

Julian Wu
Associate Professor, Department of Modern and Classical Languages, Western Washington University

Young Kyun Oh
Associate Professor of Chinese and Sino-Korean, School of International Letters & Cultures, Arizona State University

Yuan-ju Liu
Research Fellow, Institute of Chinese Literature and Philosophy, Academia Sinica

Siao-chen Hu
Distinguished Research Fellow, Institute of Chinese Literature and Philosophy, Academia Sinica

William C. Hedberg
Associate Professor of Japanese, School of International Letters & Cultures, Arizona State University

前言／吳英均著，凌筱嶠譯
作者簡介
序論／凌筱嶠

【第一部分　戲曲篇：禮儀與話語】

第一章　「文」與「制」之外：從蘇軾教坊詞看宋代文人樂語／孫曉靖
　　一、樂語之名稱
　　二、教坊詞：作為一種表演文本的閱讀
　　三、教坊詞：一種矛盾與爭議之上的表達
　　四、結語
第二章　搬演皇帝：睢景臣《高祖還鄉》／麥瑞怡著，凌筱嶠譯
　　一、睢景臣散曲與司馬遷〈本紀〉
　　二、鄉村與帝國的截然分野
　　三、表演、文字與戲劇認知
　　四、皇帝的雙重身份
　　五、結語：表演與說服
　　附錄：睢景臣《高祖還鄉》英譯
第三章　飲食、戲曲與儀式：神仙與凡人展演之東道禮儀／伊維德著，凌筱嶠譯
　　一、西王母與八仙
　　二、孫旺及其酒肉朋友
　　三、結語
　　附錄一：The Eight Immortals
　　附錄二：Spreading a Banquet in Celebration
第四章　「律」、「變」、「極」：王驥德《曲律》中的互文指涉與規範化構想／辛兆坤
　　一、前言
　　二、《曲律》中的互文指涉：一個三維批評框架
　　三、「變」與「極」
　　四、結語
　　附錄一：王驥德《曲律》互文指涉一覽表
　　附錄二：《曲律》中提及「變」的篇章
第五章　守望文明：蘇州府太倉州王時敏家族的戲曲活動（1640-1680）／郭英德
　　一、引子：清商祝壽自喧闐
　　二、綿綿世祚：劇迷家族的文化傳承
　　三、嚶嚶友聲：戲曲文本的文化寓意
　　四、呦呦鹿鳴：戲曲符碼的文化象喻
　　五、尾聲：流風善政故家存
第六章　「以宮商爨演，寓垂世立教之意」：論晚清楊恩壽之戲曲觀及其《坦園六種曲》所展現之敘事性特質／王璦玲
　　一、傳統到近代的過渡：晚清戲曲史上的一個「轉折」
　　二、「抒鬱解慍，扶持世教」：楊恩壽之戲曲觀
　　三、「合生死、窮通於彈指頃」：《坦園六種曲》之創作要旨
　　四、楊恩壽《坦園六種曲》寫作中所呈顯之敘事性特質
　　五、結語

【第二部分　日用篇：文學場域與文化能量】

第七章　發人深省的食物：北宋中期的消費競爭與遠離塵囂／裴志昂著，凌筱嶠譯
　　一、導論
　　二、商品與自我
　　三、撤離城市
　　四、結語
第八章　「互圖性」的旅程：對明代中晚期通俗文學作品中「遊歷」主題版畫的考察／吳思遠
　　一、緒論
　　二、明代木刻版畫的繁榮
　　三、畫工、刻工與印工的合作
　　四、遊歷與文本
　　五、遊歷圖與文本編訂
　　六、《錢塘夢》的插圖
　　七、《西廂記》與遊歷圖
　　八、遊歷與夢幻
　　九、結語
第九章　誰人讀食譜？類書中的飲食指南／吳英均著，凌筱嶠譯
　　一、食物、日用、類書
　　二、《居家必用》之流傳與讀者
　　三、飲食、書籍與生活方式
第十章　病中倫常：魏晉南北朝小說中的省疾、問疾與侍疾／劉苑如
　　一、前言
　　二、禮數與倫常：省疾、問疾與侍疾的語用習慣
　　三、疾病交際：省病、侍疾所折射的情感光譜
　　四、他人疾病：陌生人間的救病關係
　　五、結語
第十一章　風聲與文字：從歌謠運動回思非漢語的漢字傳述／胡曉真
　　一、前言
　　二、「民間之聲」與歌謠運動中的方言問題
　　三、聲音、文字與「漢字系文字」
　　四、《粵風續九》中的口頭聲音與文字書寫
　　五、結語：從漢字的開放性看文化接觸與共感涵化
第十二章　尋索「真正的中國」：明治時期日本的中國文學史書寫／賀衛林著，辛兆坤、凌筱嶠譯
　　一、導言：文學史書寫傳統
　　二、支那／中國文學與「國文學」書寫
　　三、「小說」之文化心理與政治解讀
　　四、結語

後記：奚如谷教授無已齋訪談
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