A Grand View of the Red Chamber Dream: Maternal Figures (Revised Edition)

Ou Li-chuan

  • PublishedMarch, 2026
  • Binding平裝 / 21*14.8 / 588pages / 單色(黑) / 中文
  • Publisher國立臺灣大學出版中心
  • SeriesEducation-Textbooks
  • ISBN978-626-7768-77-8
  • GPN1011500223
  • Price NT$850
  • Paper Books San Min Books / wunan / books.com.tw / National Books / iRead / eslite / TAAZE /
Red Chamber Dream does more than celebrate the beauty of the young maidens; it offers a solemn tribute to the power of maternity. If the "Twelve Beauties" are the flesh and blood of the novel, then the maternal figures hidden behind are the source of the power that turns the wheel of life—the compassionate Mother Goddesses who shelter all living things.

Integrating Western cultural theory with Chinese Confucian tradition, the author analyzes six "Mother Goddess" figures ranging from the divine to the secular: Nüwa, Fairy of Disenchantment, Grandmother Jia, Lady Wang, Jia Yuanchun, and Granny Liu. The book explores how these figures form a continuous, interconnected narrative system. They are the root of the power that supports the world and the backbone that connects the entire text. They are, in every sense, the deities of salvation and destiny—the quietest yet firmest maternal force of tenderness within Prospect Garden.

From nothingness, the Mother Goddesses in Red Chamber Dream create life and sustain the future. In times of peace, they nurture all beings with warmth, protection, and abundance; amidst destruction, they rebuild; after injury, they heal; and in the face of extinction, they bring rebirth. They cultivate gardens within ruins and guard the saplings once the gardens return to dust. Hidden behind the blooming flowers, they are the fertile soil that gives them life, generously bestowing compassion and wisdom upon souls radiant with youth.

Therefore, reading Red Chamber Dream requires as much attention to these Mother Goddesses as to the young maidens. Only by understanding the significance of these maternal figures can one truly appreciate the rich landscape of the novel and see the complete face of womanhood within its world.

Key Features:
1. A New Perspective on Redology: The book reconstructs the narrative system of Red Chamber Dream by using the six Mother Goddesses as the central axis.
2. From Screen to Page: Based on the popular National Taiwan University Open Course, this book is highly readable and contains significantly expanded material beyond the online lectures.
3. Visual Reference: It also includes a full-color, fold-out "Character Relationship Map" to help readers navigate the complex web of characters in the original masterpiece.
Ou Li-chuan
Professor, Department of Chinese Literature, National Taiwan University
編輯體例
緒言
第一章、總論:超越少女崇拜
  一、「誰的」少女崇拜
  二、「少女崇拜」的局限
  三、不是「魚眼睛」:女性的更高展望
  四、母神系統
第二章、女媧:創世與救世的複合之神
  一、「創世」與「救世」之神的複合
  二、「造人」與「煉石」:補天之「石」的意義
  三、「救世」之神的奮鬥
第三章、警幻仙姑:愛與美的悲劇命運之神
  一、愛與美的神女譜系
  二、命運的羅盤
  三、「性別分工」:男女大不同
  四、神俗二界命運女神的遞接
第四章、賈母:愛與美的幸運之神
  一、昔日的少女
  二、世家才德
  三、母權的施展
  四、少女的避風港
  五、陽光普照、雨露均霑
  六、審美情趣與生活雅興
  七、識人之明與處事之智
  八、老年心理
  九、「成熟型」的老婦人
第五章、王夫人:給予「第二次出生」的雙重母親
  一、青春崇拜心理與世代對立的錯覺
  二、賈寶玉的「二重出生」
  三、「雙重母親」:「子宮家庭」的無私擴大
  四、寬柔待下的家風
  五、才德與母教
第六章、賈元春:大觀天下的家國母神
  一、「枝頭第一春」:命名與意義
  二、「元春」階段:家庭代母
  三、「元妃」階段:大觀天下
  四、大觀園的擘建與意義
  五、母神的悲歌:石榴樓子花的哀愁
第七章、劉姥姥:大地之母
  一、巧姐兒的救贖
  二、非「劉姥姥」不可
  三、母神遞接的「鐘漏型」結構
  四、「大地之母」的內涵與表現
  五、嘉年華式的「狂歡精神」
  六、「母神」的複調旋律
第八章、結論:健婦持門戶,亦勝一丈夫
  一、婚姻:大母神的培訓搖籃
  二、母教:大母神的力量來源
  三、母神的共同特質

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